Showing posts with label book list. Show all posts
Showing posts with label book list. Show all posts

Friday, March 13, 2009

Guest Blogger Andy McGuire: The Books I Love

Novel Matters readers, I'm honored to introduce Andy McGuire as our guest blogger today. As you will soon know, Andy speaks lovingly of his favorite books. I first heard Andy on an editor panel at Mt. Hermon Christian Writers Conference. He knows his stuff. He's thoughtful and talented and generous. Currently, he's an editor at Bethany House and the author and illustrator of Rainy Day Games: Fun with the Animals of Noah's Ark, a must-have for any child's read-along library. As for the generous part, Andy is ready to answer your questions about Christian and Children's Fiction at his web site: http://www.askandymcguire.com/. I was pleased to find some of my favorites on Andy's list, and I will eagerly add more of his favorites to my bookshelf. And now, let's let Andy talk for himself. Take it away, Andy!

Ah…a list of favorite books. The potential to embarrass myself. In my mind I see hundreds of jaws dropping as readers shake their heads in dismay and (perhaps) judgment. “He picked THAT?!? I hated that thing! Where was the plot? And who was I supposed to relate to?”


Recommending books is only slightly less risky than writing them. Both activities require putting your soul on display for the world to see, knowing that some who thought they “got you” didn’t. But alas, if no one recommended books (or wrote them, for that matter), what would we find to read?


So here’s a list for you to consider, then I’ll talk about a few of them. I list them in alphabetical order by author rather than order of preference—I suppose I still feel the need to hide a small part of my soul.


Hey Nostradamus, Douglas Coupland


Eleanor Rigby, Douglas Coupland


Great Expectations, Charles Dickens


Peace Like a River, Leif Enger


The Lord of the Flies, William Golding


The Princess Bride, William Goldman


Soldier of the Great War, Mark Helprin


About a Boy, Nick Hornby


A Separate Peace, John Knowles


To Kill a Mockingbird, Harper Lee


Gilead, Marilynne Robinson


Straight Man, Richard Russo


The Lord of the Rings, J.R.R. Tolkien


The Age of Innocence, Edith Wharton


The House of Mirth, Edith Wharton


All Hallow’s Eve, Charles Williams


The Place of the Lion, Charles Williams


Joy in the Morning, P.D. Wodehouse


Why these? There are two things that I feel are absolutely necessary for any good story and one other thing that can elevate it to a “great” one:

1) characters that I wish to spend time with;

2) a structure that gets me from one place to another; and

3) a point.


These necessities need a short explanation, I imagine. Notice that in requirement #1 I didn’t say “good characters” or “noble characters” or even “characters I like.” I don’t have to like a man, let alone approve of him, in order to wish to spend some time with him. But I do have to be interested. Something about him must intrigue me.


Requirement #2 is probably the hardest to define, but it means that the story has to have a beginning, a middle, and an end. Many stories written over the last generation or two move along aimlessly until they stop arbitrarily somewhere along the way. The excuse for this shabby storytelling is that it’s more like “real life” than those antiquated tales that actually have a conclusion. Two objections to this argument. First, who says life doesn’t have conclusions? As Christians we certainly believe that justice will prevail, love will conquer death, and peace will reign. Second, even if you aren’t thinking metaphysically, we still want stories to come to a satisfying conclusion because life, at times, doesn’t feel like it does. Stories shouldn’t imitate the mundane, they should rise above it. This sounds contradictory because of the switch from long-term thinking to short-term thinking. In the long run, all of creation will come to a resolution. In the short run, it doesn’t feel that way, so we need stories to remind us of justice and grace. Perhaps we’re hardwired for this, so stories that go against this drive leave us dissatisfied.

Requirement #3 is hopefully self-explanatory. A story should say something about big things. The meaning of life, the sacrifice of grace, the power of love. More importantly, give it to me in a way I hadn’t experienced before.


So, onto a few of these books. Some of them have fairly obvious Christian themes, like Gilead, Peace Like a River, and the two Douglas Coupland books. Others deal more tangentially with Christian morality and God’s presence in creation. Soldier of the Great War and The House of Mirth would fall into that category. Soldier is one of the best apologies for the existence of God through the witness of beauty I’ve ever read.


Still others on this list don’t seem to have any ties to Christianity other than their being about right and wrong, love, joy, and, in one way or another, truth. Grace seems to be a theme that runs through most of these stories as well. I think grace, even more than redemption, softens us up and changes us. The ending of Gilead did that for me.


And then there’s humor. I love to laugh. I think there is something ennobling about humor. To look for opportunities to laugh is inherently a humble pursuit of wisdom (although it can be twisted at times). Straight Man and The Princess Bride are both “laugh out loud” books, as is anything by Wodehouse. I picked Joy in the Morning almost at random. Anything from his Wooster and Jeeves series would do for this list.


That’s about all from me. Don’t judge me too harshly. Or at least keep it to yourself. Ha! As if that could happen on the internet.