We've been planning...

Out of the Garden Part 17

This week's installment is from Latayne C. Scott

(To catch up on the story, read here.)

There was no choice. The Her was shrieking now. I snatched back the coverlet and moved the Princess closer to the button and began to extract the silk of her hair.

To my surprise, she immediately became silent. Smiled, though wanly.

Not at me, but at Callan.

I glanced over my shoulder at him. He was moving closer to her, his cell phone in his hand. Glowing on its screen was a picture of…. a Her.

“She’s a fae, a beautiful fae.” His voice was reverential.

“Where--- where did you get that picture?” I was stuttering.

He touched her gently, and she reached for him. He answered me almost absently.

“This one, from a video game. But of course there are books, and websites, too.”

I stepped back from the bed to see this:  The Her and my grandson smiling at each other as if they had known each other their whole lives.

She was speaking to him in Gaelic, and he shook his head, yearned toward her, couldn’t understand.

I caught a word. Geata. Gateway.

A place where all would be set right.

I yearned toward that.

“Portal,” I said.

He smiled slowly and broadly as he picked the Her up.

“Oh I know where you have one in your garden,” he said, looking at her as if he couldn’t fill his eyes enough, but speaking to me. “Under the old tree, between the roots near the wall. I’ve loved to hide there since I was little.”

We looked toward the window.

But what was the commotion we heard outside?

Make Your List

I like to perplex my students. Recently I asked my teenagers at Oak Grove Classical Academy what makes a novel “Christian.”

They answered cautiously. After all, at this Christian school, we study lots of works that aren’t Christian at all, like The Epic of Gilgamesh and Rosemary Sutcliff’s Eagle of the Ninth.

I drew a line on the board. I wrote “Yes” versus “Disqualify.”

Then I gave them the markers and said, “Go for it.”

Here’s what they said disqualified a novel:

Rewarding evil, sexual-lust (I think they meant lots of the steamy type), themes that motivate sin, and atheist.

Here’s what they said would be characteristic of Christian fiction:

The author’s mindset, characters and storyline, morals, plot+author, helps reader spiritually via a story, testimony, point of view=self, reactions of the characters, theme, punishment (of evil), redemption, comes together to reward good, and God’s love.

So what would you put on your “yes” and “disqualify” lists?

Be it resolved . . .

Latayne certainly got us off to a great start this year with her "We suspected it all along" article last Monday, and my writing sisters have kept the pace. Latayne's revelation that novels can actually leave a physical shadow in the brain that stays with the reader for days was an amazing bit of information. As her title suggested, we suspected it all along. And we've always known that about words anyway.

I read another tremendous post about words soon after reading Latayne's post. I quote from Ann Voskamp's A Holy Experience blog post titled: Dear Kids: What you need to know about Duck Dynasty, Justine Sacco and Christmas. I highly recommend you read the entire post. But this is what leapt out at me:

"Words leave your mouth, your keyboard, but words don't ever expire quietly in a void --- they always explode in hearts."

That is absolute truth. Words are not innocuous. Ever. They impact on some level, even if it's just to inform. If you doubt that, consider this: "In the beginning was the Word." That's how the Apostle John, under the inspiration of the Holy Spirit, chose to define Christ in the opening words of his gospel. There are so many nouns he could have used instead: In the beginning was the Son of God, the Redeemer, the Light of the World, the Morning Star, the Alpha and Omega. And on and on. But in the beginning was the Word --- which spoke into existence all that is --- and that Word has resonated throughout the universe ever since.

Words matter. The ones we speak and the ones we write. If words are our calling, we have an obligation to use them wisely. Ecclesiastes 12:11 says, "The words of the wise prod us to live well.
They’re like nails hammered home, holding life together." On Wednesday, Debbie talked about her need to "stick with books that include some measure of hope." I'm so with Debbie on that. A novel can take me to the inferno, but if it gives me reason to hope I'll stay with it to the very end. That's what I want to accomplish with my writing. To bring hope to my readers, to leave a shadow on their brains that will point them in the right direction if the need arises. I know I fall short, but it's what I strive for.

But I not only want to write things that make a difference, I want to speak them. I've made one New Year's resolution that I've kept as far as I recall. It was 18 years ago, and the resolution was to begin wearing lipstick. You heard me right. I didn't mind the look of lipstick, but I didn't like the feel of it on my lips. My husband, on the other hand, liked me in lipstick. So I resolved to begin wearing it, and I have ever since. Not all day, every day, but certainly when I go outside my front door.

This year I made another New Year's resolution, one a bit more important than lipstick, and that's to be more positive in my attitude. The past few years have been difficult, and they've worn on me. Often, it's been reflected in my words. So I resolved on New Year's morning to keep my language positive, and to better practice the faith I've worked so hard to develop over the years. If my words are going to explode in someone's heart, I want them to bring life, not death; to encourage, not defeat.

 Only a handful of novels I've read in my life have really impacted me, have left an enduring shadow. The first was To Kill a Mockingbird, which I read in high school way back when. Sadly, most novels I've read are forgettable. They entertain for the moment, but that's it. What creates a really distinctive novel for you? Can you share a title?

I Once Tackled Dracula...

After reading Latayne’s post on Monday on how fiction imprints our brains, and we crawl into the skin of protagonists, the pieces fell together for me. I started thinking of all the books that had left a ‘shadow’ on my outlook for days at a time.  I always suspected that there was a real explanation for it.  I’m not just a lightweight about certain books after all - they really were imprinting on me.

I once tackled Dracula. Figuratively speaking, of course.  I wanted to know what made it a classic.  I stared bald-eyed for several chapters like the witness of a horrific accident who couldn’t look away until a major transition came along and I finally blinked. I promptly deleted it from my Kindle.  

Later, I picked up The Historian.  I thought I could handle it, really I could, but the impressions, the shadows latched onto my brain.  I felt such a foreboding that sat heavy on my mind and needled its way into my dreams at night. The writing was very good, the tension exquisite, and I put it back on my bookshelf, leaving a superfluous character to her fate.  She was expendable and would die to prove the gravity of the situation.  I couldn’t be a witness to it.

There is nothing that says I have to let good writing go to my head.

I have to stick with books that include some measure of hope.  Intense, unpredictable and drag you close to the edge, yes, but a flicker of hope has to be present.  They can be everyday characters with nothing to recommend them except that they showed me how to live honorably in the world, making sometimes costly, sacrificial choices in the end.  

You could argue that both Dracula and The Historian have resolutions with these elements, and since I wasn’t willing to stick it out, I don’t know.  But the overriding impression was of an evil so big that I felt it dimming my normal outlook on life and that was enough for me.  It may not have been so much for you.

I guess you just have to know yourself.

One very special, positive impression that I experienced was from The Lord of the Rings (one among many).  In this day and age we greatly prize freedom, and the knowledge we have of kings and kingdoms are often as figureheads only.  But when the young hobbits swore fealty to the kings and laid their weapons at their feet, I finally understood the Bible references to Christ and His kingdom. More than understood - I felt the absolute power of it.  It’s about choosing to give up your freedom to accept the will of Someone greater.  That impression colored my outlook for a long time and was welcome.

What books have left a memorable impression on you, for good or bad? Did you stick it out? We’d love to hear.

We suspected it all along. . .

Everyone knows that reading a novel can change history. Uncle Tom’s Cabin, for instance, “helped lay the groundwork for the American Civil War,” according to historian Will Kaufman. Upton Sinclair’s The Jungle revolutionized food safety at the beginning of the twentieth century.

Novels change history by changing minds. But did you know that reading a novel can actually physically change your brain?

As documented in the academic journal Brain Connectivity, scientists measured the brains of readers with functional magnetic resonance imaging (fMRI).

The non-profit site Futurity interviewed the lead scientist of the study, Gregory Burns, who had two astonishing findings.

Berns: “The neural changes that we found associated with physical sensation and movement systems suggest that reading a novel can transport you into the body of the protagonist. . . We already knew that good stories can put you in someone else’s shoes in a figurative sense. Now we’re seeing that something may also be happening biologically.”

But even more amazing, the study documented that reading a novel leaves a kind of “shadow” in the brain, as demonstrated by neural scans, that shows that for days after finishing a novel, the book keeps having a measurable physical effect on the brain.

So, novels change people, mentally and physically.

As something as insubstantial, as ephemeral, as a collection of words continues to change the brain for days afterwards.

Ah, what a revelation.

And for us as authors, what a weight of responsibility.

The Pain of Promotion

I recently read a novel by an author I’d not read before, first name Annette. I selected it late one night from the sale pages of Christianbook.com when I’d run out of things to read. The first thing that caught my attention was that it was published by NavPress, the house that published my first two novels, so I read the opening pages and was intrigued enough to order it. The novel was surprisingly good, a refreshing find, completely out of the box for CBA, which instantly made me turn back to see the publication date. Aha. It was published in 2006. In my opinion, CBA has tightened its net, so to speak, in the intervening years, and I’m not sure this book would find a home in CBA these days. For more on that, you should read Latayne's excellent post from Friday, regarding Christian Fiction.

Coincidentally, I had an interesting conversation with a longtime employee of the Christian bookstore in my little town (anyone hear Simon & Garfunkel singing?) when I took more of my books in, which they graciously sell. Lynda is very complimentary of my fiction, because she feels it is real, addresses real issues, isn't neatly tied up in the end, and shows the reader she isn't alone in her struggles. But I haven't been able to get a CBA contract since 2008, so there you are.

 Annette did a remarkable job of writing a male protagonist (we discussed writing opposite-sex characters on this blog in August). She wrote real-world characters you could truly identify with, who had goals beyond getting the girl/guy next door, and problems that look a lot like mine. Problems that don’t always have good solutions. I applauded her guts and her ability, and sent her an email saying how much I’d enjoyed the novel. Her response kind of blew me away. She gave me permission to share some of what was contained therein.

Annette is the author of 13 novels, the first published in 1997. It sold roughly 140,000 copies. The others, combined, sold about the same number. Combined or not, I was struck with Serious Envy when I read her sales numbers. I’ve never come close to that, nowhere near, though I never stop working at it.

But it was her next statement that blew me away. She wrote, “As for why I stopped writing …”

Excuse me?!?

Stopped writing?!?

With that kind of success?!?

Yes. Stopped. She had three main reasons:

First, I absolutely cannot bear promoting. I'm quite private, more so as I've gotten older. (I'm 54). I am the only person I know not on Facebook. When I began writing, promotion meant speaking a bit, doing book signings, giving out bookmarks. I did do a blog for a bit, and didn't mind that. But now...I just can't do all that is expected and needed of an author. When I weighed the pain of promoting vs the joy of writing for publication, writing did not come out on top.  I do not see how someone unwilling to promote can publish today.


Second, writing was never a calling for me. I loved it. It came easily and naturally for me, and I had a talent for it. I read a few how-to books and subscribed to Writer's Digest, but I never took a writing class. I attended my first conference after I'd had 7 books out. It wasn't something I longed for or dreamed about. I was a voracious reader, but really never thought being an author was in the realm of reality. It was an amazing surprise.

But my true calling? Hospice nursing. I've been an RN since age 20. It is what I was born to do. It is where I have served, where I have done my best work. It was easy to let writing slip away when it wasn't my only thing, or even my main thing.

“My only thing, or even my main thing.” That line really struck me. Because aside from my relationship with family and God, writing IS my main thing and has been for 27 years. No, it doesn't begin to compare to hospice nursing or any number of other professions that truly help people, but it is my passion. Aside from unforeseen circumstances, I have no intention of stopping. But I completely get what Annette is saying. Debbie also wrote a great post last week on the truth about introverts. Many writers are introverts – and some are shy, to boot, as Lori Benton pointed out. That certainly describes me. So when Annette said she couldn’t bear self-promotion, I could relate so well. And yet, as she spelled out so clearly, someone unwilling to self-promote these days won’t get far as an author.

The environment we find ourselves in as writers today is somewhat of a dichotomy. On one hand, publishing opportunities are greater---and less costly---than ever before, if one is willing to go the independent route. Now that many authors are choosing to go independent, even those who have been multi-published traditionally, the stigma of self-publication has diminished.

On the other hand, going independent means the full weight of promotion falls to the author. And for those of us---which basically is all of us---who dislike self-promotion, it makes the writing life that much harder. Building a readership is like tossing a stone into water and watching the ripple spread out from the initial splash. Turning that ripple-effect into a tsunami is the goal, but how do you do that?

Bloggers and social media participants have formed an impromptu co-op, if you will, helping promote the work of other writers along with their own, but it still creates only a small ripple in a huge pond. And all that promotional work cuts deeply into the author’s writing time. One or the other is going to suffer.

Have you found a way to balance writing with promotion, and have you found a promotional tool that’s been successful for you? Is the fear of promotional responsibilities enough to give you pause as a writer, or perhaps deter you from going independent? What, if anything, would make you put down your pen for good?

Nearly Swamped and Book Decisions

A furious squall came up, and the waves broke over the boat, so that it was nearly swamped. Jesus was in the stern, sleeping on a cushion. The disciples woke him and said to him, “Teacher, don’t you care if we drown?” (Mark 4:37,38, NIV)

God has blessed our family in an incredible way. Though my husband is approaching his ninth month of what his neurologist called “the malignant form” of Guillain-Barre Syndrome, our family, friends and church have gone great lengths to help us. They have bought us a van with a handicap ramp. Our insurance company paid for a power wheelchair that cost more than any car I’ve ever bought. And a friend and his wife bought us a house with a track system and motorized lift in the ceiling to make simpler the multiple transfers a day that my husband requires. Others have generously donated money to help with the aides that are essential a few hours a day to relieve me from the 24-7 job of skilled nursing.

Nobody prays harder for me than my two children. Everyone wants to make sure that this situation has not swamped us.

What does a writer do when she is “nearly swamped?”

Like the disciples, I have entertained images of myself treading water, of being subsumed by forces I cannot control in any way. For instance, though a crew of about 30 from our church came and moved us in one day, I needed to make decisions about what to keep and what to get rid of; and deal with many such “you have to decide now” choices in the midst of the encompassing and relentless scenario.

Truly, I felt no sense of stricture when I realized that there would not be as large a place to display books, for instance. It felt freeing to say goodbye to books I’d kept, knowing I “ought” to read them. (The Harvard Classics, for example, now have a spotlighted place on my daughter’s living room wall.)  My great collection of books on ancient Egypt were pared down to the ones that had personal meaning, and the rest went to Ebay. My theological reference books will stay in a box until I find an institution that wants them (I can look up things much faster on my computer.) Almost all my books on Mormonism went to a Christian university.

And fiction. I had about forty novels I wanted to read after I'd given away others.

How telling it was to me, when I placed them on the highest shelf of the bookcase, out of reach without a stepstool.

Part of that was because I don’t possess leisure time now. I don’t own the hours it would take to finish even a mindless murder mystery.

Part of that was because they were like the “skinny jeans” the diet experts tell us to hang up in plain sight to motivate us to keep eating celery. Someday I might fit into those books.

But the most startling realization was this: These were the books that I would read when I couldn’t use my Kindle. Like the water containers and flashlights and propane lantern and batteries I stock in case of a power outage, they were a backup plan I really don’t think I’ll use.

How about you? How have changes in your life intersected with the way you relate to your own personal collection of books?

Short or Long Fiction?

I’ve often told non-fiction writers who want to be published to start by crafting articles. That way they can build up both credibility and credits. Then, when they’ve gained an audience and the trust of editors, they can begin to think about writing a book-length work.

I assumed that one should take the same tack with writing novels: Start with short stories and then write a novel. I must admit that every short story I’ve ever written was literarily flabby and unsatisfying, even (or especially!) to me. I thought I was a failure because if I couldn’t write short fiction, who would ever want me to write something longer?

Imagine my relief and gratitude when I began reading what one of the best short story writers now living said:

“One of the most often asked questions when I’m playing professor is this: Should I start writing short stories and then work my way up to novels? My answer is no. It’s not like starting to ride a tricycle and then graduating to a bike. Forgive my clumsy mixing of metaphors, but short stories and novels aren’t even apples and oranges; they’re apples and potatoes. Novels seek to emotionally engage readers on all levels, and, to achieve that goal, authors must develop characters in depth, create realistic settings, do extensive research and come up with a structured pacing that alternates between the thoughtful and the rip-roaring. . .

“The payoff in the case of short stories isn’t a roller coaster of plot reversals involving characters they’ve spent lots of time learning about and loving or hating, set in places with atmosphere carefully described. Short stories are like a sniper’s bullet. Fast and shocking. In a story, I can make good bad and bad badder and the most fun of all, really bad seem good.”

--Jeffery Deaver, from the introduction to More Twisted: Collected Stories, Vol. II (Pocket Books, 2006.)

How about you, novel writers? Any of you been able to get paid for publishing both short stories and novels?

Timing is... Everything

Announcements! We have announcements!

First of all we are all so proud of our own Sharon K. Souza. Her wonderful, provocative book, Lying on Sunday, is a finalist in the RWA Inspirational Readers Choice Contest. Winners will be announced in July and we are certainly pulling for her –because this excellent book deserves it!

Another announcement is of our latest winner here on Novel Matters. Our first-time poster, Elizabeth McKenzie, has won two copies of Zora and Nicky by Claudia Mair Burney (one for you and one for a friend) – compliments of Cook Communications. Elizabeth, come on down! Or better yet, send your snail mail address to us and we’ll send them off to you posthaste. Or media mail☺

Today’s topic is timing. Not comedic timing. Not the little belt on your car’s engine that gives out to the tune of thousands of dollars in repair bills. Not labor pain timing (though it often feels like that.) I’m speaking of how to pick up writing after you’ve been interrupted.

Now, up until recently that has never been an issue for me. All twelve of my nonfiction books, and hundreds of magazine articles, were written from 3x5 cards that I arranged in logical order. It was a system that worked perfectly for me. If a child screamed bloody murder out in the yard, I could attend to that emergency and all its circumstantial tendrils (‘oo killed ‘oo; the overboiling pot on the stove, the escaping cat, the leaking diaper and on and on) – and come back to my desk and know exactly what should come next.

But ah, fiction….

I absolutely must have extensive, uninterrupted blocks of time to first travel to, and then reside in, a fictional world. I can’t write a novel in short spurts.

The absolute worst writing advice I ever acted on was that of an unnamed woman who said that the best way to resume her writing when she had to take a break was to stop in mid-sentence. She said that helped her get going for the next writing session.

I remember doing that. Trouble is, I had no idea where I was going with the half-thought on the screen the next morning. I spent half a day trying to figure out what the heck I must have been thinking. I could have strangled that woman.

How about you? What’s the worst advice you ever got regarding how to keep the flow going?

Smokin' Hot New Trends in the Christian Fiction Market

As promised, our esteemed friend Sally Stuart, compiler of The Christian Writers' Market Guide, is here as a guest blogger today. In one of her Q&A responses, she tells below how to get the attention of an agent and/or editor. We here at NovelMatters remind you of our now-running contest, Audience With an Agent. Six winning entries will be read by Wendy Lawton of Book & Such Literary Agency. Submission details under the "promotions" tab. So get those manuscripts polished until they shine, and listen to the wisdom of Sally Stuart as she tells us what impressions and data she gleaned from the new edition of the Guide which just went to press.....

Question: What are the most significant changes you've seen in this upcoming Christian Writers' Market Guide, as compared to the previous one?

Sally Stuart: It seems that most of the changes this year are somehow connected to the advancement of technology. For years I have stressed the importance of submitting material to an editor by name, but every year it seems like more and more publishers are not naming editors in the guide and are asking that submissions be sent by e-mail to a generic e-mail address, or not even supplying an e-mail address but requiring the use of an online submission form.

Of course, one of the most significant changes is the drop in the number of markets. Although there are 18 new book publishers for 2010, the total number is 384--34 less than last year. There are just under 600 periodicals listed (35 new), but 54 fewer than last year. I am hearing of more publications going out of business every week now.

Question: You have your finger on the pulse of Christian publishing. What's hot in book-length Christian fiction right now?

Sally Stuart: Although Amish books seem to be all the buzz these days, I checked to see which genres increased in interest based on publishers' responses in the topical listings in the next edition. The Teen/YA category actually went up the most with 14 new publishers. The next batch tied at 13 new publishers apiece: biblical, frontier, and novellas. Frontier/romance was up 11; followed by historical, mystery/suspense, and historical/romance up 9. The rest ranged from 1-6. Science fiction was the only one not to gain any, and a new genre this year is cozy mysteries with 24 publishers showing interest.

Question: The Christian book industry, like all book industries right now, is suffering. Are editors willing to take chances on first-time novelists?

Sally Stuart: I think publishers are always on the look-out for the next great novelist. But they want really great fiction. Your best chance for making that agent or editor connection is to attend conferences where there are a lot of them present. That's where they're out there looking.

Question: What's the most important thing you would convey to aspiring Christian novelists?

Sally Stuart: The best thing a novelist can do is work on polishing his/her craft. Strive to be exceptional--to stand out in the crowd. Be sure the book is not only well written but well edited. Publishers these days are short-handed and they want books that will require little or no editing. But if an editor sends the book back for rewrites, do it. I'm amazed at how many authors just ignore those requests and just drop it or try another publisher. If a publisher is willing to invest their time to make you a success, you owe them your best.

Sally E. Stuart
Christian Writers' Market Guide
www.stuartmarket.com (order the market guide here)
www.stuartmarket.blogspot.com (marketing info here)

Making Friends, Building Community at Mount Hermon

Our Novel Matters group went to Mount Hermon Christian Writers' Conference, and it was incredible. For all of us it was a wonderful chance to sit with people we didn't know at mealtimes and serve and minister to those who are not as far along in the publishing journey as we are blessed to be.  We attended eye-opening classes about the intricacies of this brave new world of publishing --  a world that has changed radically just in the past year. 

Then, in the evenings, we reveled in each others' company -- what a unique group of women I am privileged to know.  One of the greatest treasures of my life are the women whose writing talent takes my breath away.  And since Katy and Sharon won the Mount Hermon Writer of the Year awards, four of the six of us are award-winning authors now!

And, because I am a total technoidiot and cannot put my picture and post at the end of this blogpost, I have moved myself to the top.  I certainly don't deserve to be here other than to demonstrate that I have not yet learned to post last.  

Greetings from not-so-sunny California. Brr! I'm exhausted and exhilarated at the same time. You'll understand after you read the following round table blog. The six Novel Matters gals just spent five days together for the very first time. Here are our reactions.

So encourage each other and build each other up, just as you are already doing. I Thessalonians 5:11

Women get to know each other by telling stories.

Stories about home, hearth, and vocation.
Stories that send us running to empty our bladders.
Stories that crush our hearts.
Stories that tell us we are not alone.

We sacrifice sleep, but not chocolate, to tell our stories, sometimes with threads that weave together and some that embellish with startling clarity.

For the last five days, the Novel Matters girls--all six of us!--have been together at Mount Hermon Christian Writers Conference, talking, talking, and more talking. Even though I was assigned to the early-to-bed cabin of the two we occupied, getting to know these ladies proved irresistible. Sleep will happen when I arrive home today. Sitting here with bags under my eyes as big as duffel bags, I don't regret a moment.

Before spending this time together, from my point of view, a newcomer, we were a collection of writers working for a common cause--the growth of upmarket and/or literary fiction in the CBA market. Each woman had become dear for what they offered and the talents they so graciously shared.

Now I have sisters.

They know things about me. I know things about them. And I love them. I ache for their company. I can't wait to be with them again.

We are a community.

~

Sharon here, and Patti's absolutely right. We had the most amazing, amazing time at Mount Hermon this year. There aren't enough superlatives to describe how much fun we had. Since October, when we came together to discuss the possibility of a doing a blog together -- even though some of us had never met -- a friendship has developed, first at the Books & Such retreat in the fall, then through conference calls putting together our ideas for the blog, and then through the fellowship of writing our posts.

~

But nothing, nothing, could top the 5 days we just spent together. I didn't know it was possible to laugh as much as we laughed -- truly, until it hurt -- and to go from acquaintances to close friends in such a short period of time. Most of us got by on about 5-6 hours sleep a night in order to spend as much time together as possible. There were many highlights at the conference, but nothing topped the sheer pleasure the 6 of us packed into our time together. My favorite part was the evening we spent reading our works in progress to each other. My cohorts are incredibly talented women and I'm honored to be associated with them, no longer just as a colleague, but as a sister-friend. I can't wait till we're together again!

This past week has been pure joy. I've known for some time what great company I've happened into, what intelligent, talented women I've found to be my friends and partners on this blog. But now I know so much more.

Such as:

If we ever get in serious trouble, it will be Bonnie's fault.

If we ever get in serious trouble, Latayne is smart enough to get us out.

Patti can make anybody laugh any time without saying a word.

If you ever want to keep a secret, Debbie is the one to tell. Because she was the only one of us who knew ahead of time that Sharon and I would be co-winners of the Steve Laube Agency Writer of the Year Award at Mount Hermon.

That was my favorite moment.
~
They say it takes great intelligence to play the clown. If this is true, then the Novel Matters women must be geniuses. Yes we laughed until we nearly lost consciousness. I might have blacked out once or twice - it's hard to say.
Several things hit home for me this week: Writing is not a competition, but a complication. None of us, not one, should believe that writing must be a solitary pursuit. And, when allowed to soar untethered, the imagination has no boundary.

This past week, I've looked into the eyes of my sister writers and saw there the same creative energy burning unhindered that I feel inside of me. And none of us expresses it in the same way. Katy meanders, unhurried, refusing to bend to the madding crowd - she teaches us to insist on the contemplative, to embrace its fragile arms. Sharon sings songs to our souls, offering healing and truth without reservation - she holds our bruised hands and hums the anthems of hope. Latayne pulls us out of time and space and surrounds us with vivid worlds inspiring us toward knowledge while simultaneously enthralling. Debbie weaves the stories of relationships, leads us into a deeper understanding of ourselves and our place in the world because of who we are and how we treat each other. Patti plants seeds of joy, contemplation and restoration in our minds, nudging us toward embracing our whole lives and all it brings - even when we don't understand it all.

And me? Well, I hope to be an arm around the shoulder, a voice that says, "I understand". A friend for a stretch of your journey.

When all six of us gathered together - in unision with all the others who attended Mount Hermon, we found our strengths made stronger, and our weaknesses diminished in light of true community.

It's a joy to know that this wonderful community not only continues on Novel Matters, but expands daily to include you.


All I can say is "Wow!" What a great time at Mount Hermon. If you've never been, I strongly urge you to make it a priority next year and do everything you can to make it happen. I'm a bit sleep deprived, but filled to the brim and sloshing with renewed energy and inspiration. Not only did I get to deepen relationships with my fellow Novel Matters bloggers, I reconnected with other writers and extended my circle of friends and acquaintances within the writing community. It's wonderful to be able to sit down in a casual environment with an author, editor or agent and see who they are when their author/editor/agent hats sit askewed. We all share the same hopes, fears and dreams, and trust the same Savior to work out His perfect plans in us.

Congratulations to Sharon and Katy for winning the "Writer of the Year" award! It was only fitting that these two friends who met at the same Mount Hermon writing clinic and spurred each other toward excellence should win it together.

Adrift in the Branding Sea

Writing a book is so much easier than promoting one. Put me in my office where I can see the sky through my windows, and hear the birds, my wind chimes and the clacking of my keyboard, and I'm a happy woman.

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But navigating the promotional waters of the books I create, now that's a different story. I don't mind going along for the ride, but steering the whole darn ship is another matter. I'd so rather not. But since I don't have the luxury of floating through the process, I'm going to call on all of you to help as I make my way through the (n)oceans of branding, and try to create one of my own.

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Latayne got us out of port and into the open seas of the branding issue, and there have been good comments to keep the boat afloat, but here are two questions: What is Branding? What is a Tagline? And are they synonomous? Okay, that's three. In my mind a tagline is like a teaser, for, say, a Steven Spielberg movie. "Just when you thought it was safe to go back in the water" for Jaws. "He is afraid. He is alone. He is 3 million miles from home" for E.T. "It's about life. It's about love. It's about us" for The Color Purple.

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Taglines, right? That define individual films? But it takes a brand to define the combined works of Steven Spielberg. Something like The Storyteller's Storyteller. Am I right? Oh, I hope I've got it.

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Author Randy Ingermanson wrote in his Advanced Fiction Writing E-zine: "...the world of publishing has split into two armed camps. One camp insists that branding is vital to the health of an author's career. The other camp says that the whole brandwagon is a load of hooey ... ask six people to define branding, you get about eight different answers." He goes on to state his definition of branding, which I think is very helpful. "Your brand is what other people think when they hear your name."

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So, assuming we're successfully navigating the waters of branding here, I'd like to launch my own lifeboat and see how far I get. I write contemporary novels about issues that cause women pain. Using Latayne's lighthouse points, I covered Time and Genre with one pull of the oar, as well as indicating my Audience. Every Good & Perfect Gift is about infertility and catastrophic illness. Lying on Sunday is about infidelity. These are my Topics. (The tagline for Gift is: True friendship is invaluable, but for Gabby Whitaker the cost could be too much; for Lying on Sunday the tagline is: For Abbie Torrington, betrayal and truth are about to collide.) Then like the labor of childbirth, I push through the pain to the point of deliverance. In the process I do all I can to cause laughter. And there is my Unique Tone or Flavor. Combined, this creates my Branding Statement. Have I got it right so far?

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To put a fine point on it, I write Heart-of-the-Matter Fiction. Did I just create my Brand? If so, what do you think of it? From my branding statement in bold type in the above paragraph, can you suggest a better brand? If so, I invite you to share it. And for those readers who are not also writers, what does branding mean to you? Is it important? Does it help you decide whether or not to read an author's writing? Or is it, as one camp suggests, just so much hooey?

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Award-winning novelist Randy Ingermanson, "theSnowflake Guy," publishes the Advanced Fiction Writing E-zine, with more than 15,000 readers, every month. If you want to learn the craft and marketing of fiction, AND make your writing more valuable to editors, AND have FUN doing it, visit http://www.AdvancedFictionWriting.com.