Wednesday, August 27, 2014
You wouldn’t disagree, though.
If you met them, you would find them handsome, kind, bright, creative and engaging. Really. That’s what I always hear from people who go out of their way to tell me. They truly are remarkable.
But what if I said that when I see them, I feel the light that emanates from their souls, I honestly see halos around their heads, I practically hear the angels sing? Well, you might believe me the way Scully believed Mulder ( “I’m sure you thought you saw… “), but you wouldn’t see the halos, and you wouldn’t hear the angels.*
Madeleine L’engle held that we are made like onions, with all the ages we have ever been still layered inside. The infant still lives, as does the two year old, the ten-year-old, the teenager. I believe this is true.
So the reason, I think, that I see these young men so clearly is that I have witnessed the formation of all those layers. Few others — their father does, and my eldest’s mother (I’m his step-mom) — understand the things I know because I was there.
I believe that when, as the Bible predicts, the lion will lie down with the lamb, then at that moment we will all see more clearly past our noses into the souls of each other. We will see one another the way I see my boys and be astonished that we ever passed a human on the street without looking up.
Because we will see what was formerly unseen.
Trust me — this all has to do with books.
Over at Novel Matters, we are having a long conversation about why the novel matters, and I believe the answer is connected to all I’ve just said.
The following video is an excellent interview with Eugene Peterson conducted in 2007 at Point Loma Nazarene University. Toward the end of the video (you can drag the slider to 26:11 if you’re in a hurry), he says something I like:
“Imagination is almost, not quite, the same thing as faith. It connects what we see with what we don’t see, and pulls us through what we see to what we don’t see. ”
When an author writes a novel, she must know her characters, layer by layer. She uses her imagination to blend what she knows of her own story with what she knows of the stories of others — some of them people she knows very well.
When you read a book, you use your imagination to flesh out the story the author has given. She has written down the words, but you supply the pictures. You bring to the page what you know of yourself and those you love.
And somehow, when this collaboration works at its best, the result is that you look at the stranger on the street with new eyes. You glimpse the light between the layers. You hear music.
*Their wives might, or if not yet, I think they will. You should meet the man I’ve come to know these past 29+ years. Light and angel songs.